Electronic music is embedded within the diverse world of Latin music and, for the first time, will be recognized in a new Field and Category at the 2024 Latin GRAMMYs. Within that field, the award for Best Latin Electronic Music Performance was created to shine a light on DJs, producers, and artists blending proudly blending electronic music with the sounds of their cultures.

Electronic music embodies various subgenres like house music, techno, trance, electronica, and many others rooted that have been popularized by DJs and producers. Latin artists have long enriched those subgenres: Mexico's Belanova globalized the electro-pop wave, while Bomba Estéreo blended cumbia with electronica in Colombia. 

The explosion of EDM in the 2010s also allowed the careers of Latinx DJs to flourish. Mexican American DJ Deorro has showcased both cultures during sets at music festivals like EDC, Coachella, Tomorrowland, and more. Arca's music pushes the boundaries of electronic music through a Venezuelan and Latin American lens. More recently, Colombian producer Víctor Cárdenas bridged the gap between EDM and reggaeton with the global hit "Pepas" by Farruko. Since then, electronic music has seeped through the work of Latin hit-makers like Tainy, Caleb Calloway, Bizarrap and Diego Raposo. "Pepas" and many of Bizarrap's music sessions crossed over onto Billboard's Hot Dance/Electronic Songs.

"That’s something that’s very big for us," Deorro tells GRAMMY.com about the new category. "How beautiful that this is happening, because it shows that what we’re doing is working, we’re breaking down doors, and we’re creating more opportunities for artists like us in the future." 

In honor of the Latin Recording Academy's new Field and Category, here are eight must-hear Latin electronic music essentials.

Belanova - Cocktail (2003)

Belanova revolutionized the Latin music space with their 2003 debut album Cocktail, an atmospheric LP that seamlessly blends Latin pop with electronic music. In the dreamy deep house of "Tu Ojos," singer Denisse Guerrero sang about getting lost in her lover's eyes. The trippy techno of "Barco De Papel" was reminiscent of the music from Madonna's Ray of Light album. Electronic music on the ambient level wasn’t common in Latin music until Belenova changed the game in Mexico, which later reverberated into the rest of Latin America and the U.S. 

The trio — which includes guitarist Ricardo Arreol and keyboardist Edgar Huerta — later delved into electro-pop on 2007's Fantasía Pop, which won a Latin GRAMMY for Best Pop Album by a Group or Duo the following year. 

Arca - Kick I-II (2020)

Venezuelan producer/artist Arca is a pioneer in the Latin electronic music space. Arca first began producing her experimental electronica in Spanish with her 2017 self-titled album.

Arca then masterfully mixed the diverse sounds of Latin America and beyond with EDM throughout her Kick album series. 

For Kick I, she combined Venezuelan gaita music and reggaeton with a cyberpunk edge in "KLK" featuring Spanish pop star Rosalía. Arca then blended electronica with neo-perreo on Kick II's "Prada" and "Rakata." Both albums garnered Arca GRAMMY and Latin GRAMMY nominations. 

As a trans and non-binary artist, she is also breaking boundaries for the LGBTQ+ community in the genre. Arca is just not creating more space for queer artists in Latin music, but also in EDM at large by embracing the totality of herself in song.  

Bomba Estéreo - Deja (2021)

Bomba Estéreo, which is comprised of core members Simón Mejía and Liliana "Li" Saumet, has masterfully melded the music of Colombia’s Caribbean coast with electronic music. Since breaking out in 2008 with their sophomore album, the group has often reimagined the African and Indigenous rhythms of their country like cumbia through dance music. Bomba Estéreo’s folkloric approach to EDM has led to collaborations with Bad Bunny, Tainy, and Sofi Tukker.    

In 2021, Bomba Estéreo released its most ambitious album Deja, which garnered a GRAMMY and Latin GRAMMY nominations. The title track put a funky spin on the band's signature electro-tropical sound. House music collided with the Afro-Colombian rhythms of champeta in "Conexión Total" featuring Nigerian singer Yemi Alade. Their album that was based on the four classical elements was a breath of fresh air in the Latin music scene. 

Bizarrap - "BZRP Music Sessions #52" (2022)

Argentine producer Bizarrap launched the BZRP Music Sessions on YouTube in 2018, first remaining behind the console for freestyle rapping sessions with local acts. The sessions quickly went viral, and have featured increasingly larger names in music.

Over the past five years, Bizarrap worked elements of electronic music into his hip-hop productions. In 2022, he fully delved into EDM with his global hit "BZRP Music Sessions #52" featuring Spanish singer Quevedo. The traptronica banger peaked at No. 4 on Billboard's Hot Dance/Electronic Songs and earned Bizarrap his first Latin GRAMMY Award. 

Since then, his music sessions have become a global event. Bizarrap later infused electro-pop with a trap breakdown in "BZRP Music Sessions #53" with Shakira, which garnered him two more Latin GRAMMY awards. 

Javiera Mena - Nocturna (2022)

Javiera Mena first debuted as an indie act in 2006 with Esquemas Juveniles. With that freedom as a producer and artist, the Chilean star pushed Latin music into the electronic space with her 2010 album Mena. 

She fully immersed herself into Latin electronica on her latest album, 2022's Nocturna — an album filled with nighttime club bangers that invite everyone to dance with her. Mena also proudly sings about being part of the LGBTQ+ community in the alluring "La Isla de Lesbos" and the fierce house music of "Diva" featuring Chico Blanco. Considering the influence of queer artists in the formation of electronic genres like house, it’s refreshing to see an artist like Mena remind people of those roots and bring that into Latin music.  

Deorro - Orro (2022)

Mexican American producer Deorro has established himself as one of the world's top DJs, and is known for mixing both of his cultures into his music festival sets. Even before the música mexicana explosion last year, he was one of the first mainstream EDM acts to bring the genre to music festivals around the world through his songs and remixes.   

With his debut album, 2022's Orro, Deorro fully bridged música mexicana with house music. He collaborated with Latin acts like Mexico's Los Tucanes De Tijuana and Maffio in "Yo Las Pongo," which blended the band's norteño sound with EDM. Deorro also explored cumbia with deep house in the sweeping "Dime" featuring Los Ángeles Azules and Lauri Garcia. In his recent sets, he is spinning a fiery remix of "Ella Baila Sola" by Eslabon Armado and Peso Pluma

Sinego - Alterego (2023)

Sinego first broke through in 2019 thanks to his house bolero sound like in "Verte Triste," which put a refreshing spin on an age-old Cuban genre. With traditional genres within the Latin diaspora often falling to the wayside as the years go on, he is reintroducing them to new audiences through EDM reimaginings.   

For his debut album, 2023's Alterego, the Colombian producer pushed his electronic music to another level. Sinego traveled to different Latin American countries and Spain to record with local musicians, reimagining genres like cumbia, tango, and mambo through Sinego's EDM lens. With the sultry "Mala," he blended Venezuela's variation of calypso with house music. He also gave Brazilian samba a house music makeover in "Boa Noite" featuring Tonina. 

Diego Raposo - Yo No Era Así Pero De Ahora En Adelante Sí (2023)

Dominican producer Diego Raposo has helped Latin acts like Danny Ocean, Blue Rojo, and Letón Pé embrace elements of electronic music. In 2018, Raposo released his debut album Caribe Express, which demonstrated his knack for mixing the sounds of the Caribbean with EDM. 

Raposo took that inventive mix into overdrive with last year's Yo No Era Así Pero De Ahora En Adelante Sí. The otherworldly "Si Supieras" featuring Okeiflou blended house music with reggaeton, while "Al Contrario" with Akrilla aggressively mixes drum 'n 'bass with dembow. Rapaso also channels Dance Dance Revolution-esque electronica in the spellbinding "Quédate" with Kablito. 

7 Latin DJs To Watch In 2023: Gordo, Arca, The Martinez Brothers & More

One would have expected plenty of pomp and circumstance as the Latin GRAMMYs celebrated their 25th year anniversary. But there were no lengthy speeches or self-congratulatory videos during the Nov. 14 telecast.

This year, the telecast focused on the things that matter: saluting the magic of undying genres like salsa, rock and bossa nova. Honoring the legacies of such Latin American trendsetters as Carlos Vives and Juan Luis Guerra. Giving artists a carefully curated space where to showcase their craft and inspiration.

From the stark cinematic moods of reggaetón to the healing warmth of Afro-Caribbean roots and the bold expansion of música mexicana, here are 10 of the most exciting celebratory moments from the 2024 Latin GRAMMYs.

The Music Of Carlos Vives Is A Priceless Cultural Treasure

Colombian singer/songwriter Carlos Vives was The Latin Recording Academy's 2024 Person Of The Year — a fitting recognition to his groundbreaking fusion of the accordion-heavy vallenato music of his land with rock, pop and even reggae. Vives' path of innovation began with the 1993 album Clásicos de la Provincia, and, like the Latin GRAMMYs, his career has evolved much over the last 25 years.

The singer kicked off the telecast with a career-spanning medley of hits such as "Fruta Fresca" — a rollicking gem off his 1999 classic El Amor de mi Tierra — and the more recent "La Bicicleta." At the end of his performance, he was joined by an enthusiastic group of fellow singers, including Juanes and Camilo. This brisk summary of his creative genius underscored his innate ability to connect with the essence of Latin American culture.

Read More: Watch: Carlos Vives Performs "La Bicicleta," "Robarte Un Beso" & More At The 2024 Latin GRAMMYs

The Moody Soundscapes Of Urbano Continue To Expand

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Jagged regaetón beats and ominous trap atmospherics are a natural component of the Latin pop DNA. But the urbano universe continues to grow, experimenting with novel song structures while incorporating references to other genres.

Early on in the telecast, three contemporary stars joined forces for a segment that showcased the ever evolving side of urbano. Eladio Carrión ("Mama's Boy") Quevedo ("Columbia") and Myke Towers ("La Falda") combined their proven commercial appeal with a sophisticated vision.

A True Master Never Stops Learning His Craft

Let's just say that this year's ceremony was a memorable evening for perennial Latin GRAMMY favorite Juan Luis Guerra. The 67-year-old singer/songwriter won the coveted Record Of The Year and Album Of The Year awards, and cherished his Dominican roots in his acceptance speech.

But Guerra also let the music speak for itself in a mesmerizing performance of Record Of The Year winning track "MAMBO 23." A stunning display of craftsmanship, it begins with a dembow beat, incorporates electronic loops, and also switches between the haunting qualities of spiraling bachata lines and the raucous party vibe of traditional merengue — all within the same song. Clearly, Guerra continues to learn and further refine his musical lexicon with each new project.

Read More: Juan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'

Three Mexican Legends Are Sorely Missed

Alejandro Fernández | Photo: Getty Images for The Latin Recording Academy

There was a reflective quality to this year's telecast, which included tributes to classic genres and luminaries of the past. Perhaps the most poignant, though, was the segment dedicated to three late giants of Mexican music: Juan Gabriel, José José and Vicente Fernández.

The delicate sadness of Juan Gabriel's "Hasta Que Te Conocí" (performed by Reik and Leonel García), the apocalyptic balada pathos of José José's "El Triste" as a duet (a duet with Carlos Rivera and David Bisbal), and the unapologetic joy of Vicente Fernández's "No Me Sé Rajar" (fittingly, by his son Alejandro) — illustrated the monumental sway that these masters still hold in the Latin music zeitgeist.

Salsa Lives On — And It Grooves Like Crazy

While it is true that the heyday of salsa took place during the '70s and '80s, this is a genre that simply refuses to grow stale. And to prove it, a parade of stars delivered a dazzling tribute to the tenets of salsa fever.

Venezuela's Oscar D'León offered a swinging reading of his 1974 classic "Llorarás," while Colombia's Grupo Niche had the audience chanting along to the chorus of "Una Aventura." Tito Nieves and young stars Luis Figueroa and Christian Alicea were also present, while the salsa romántica royalty of Marc Anthony and La India revived their '90s mega-hit "Vivir Lo Nuestro" in stunning, dynamic form.

Read More: Watch: Marc Anthony & Salsa All-Stars Tito Nieves, Grupo Niche, Oscar D'Leon & More Celebrate The Genre At The 2024 Latin GRAMMYs

Latin Pop Thrives On Emotional Connection

After winning three Latin GRAMMYs last year on the strength of the genre defining Mañana Será Bonito — including the coveted Album Of The Year — KAROL G added another award to her collection on the 2024 telecast. The Colombian star's eclectic 2023 mixtape, Mañana Será Bonito (Bichota Season), won in the Best Urban Music Album category, at a moment when KAROL G is celebrated as one of the world's biggest pop stars.

As she collected the Latin GRAMMY, she focused on the things that matter. "This is about the love that I share with my fans," said a visibly moved KAROL. "And my family, which makes my life so much easier. Without them, I wouldn't have my mental health." The same feeling of emotional openness permeates the songs in both Mañana Será Bonito projects.

This Is Not Your Parents' Música Mexicana

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It is definitely not a coincidence that música mexicana is experiencing a massive wave of popularity. The charisma and musical talent of stars like Peso Pluma, Grupo Frontera and Fuerza Régida is augmented by the vision of innovators such as Carín León, who blends effortlessly the folk roots of his native Sonora with cool touches of country and blues.

Introduced by Julieta Venegas and Mon Laferte, León performed "Despídase Bien" — the ending track of his extraordinary 2024 album, Boca Chueca, Vol. 1 — backed by a full band and choir. A thorny electric guitar solo and rousing gospel vocals added gravitas to a song that is Mexican to the core, but does not hesitate to venture out of the box in search of true emotion.

The Old Bossa Nova Classics Are Indestructible

There were no sassy baile funk riddims when Brazilian stars Anitta and Tiago Iorc joined forces for a couple of songs in a dimly lit section of the stage. Instead, the duo launched into a fragile, understated version of Anitta's "Mil Veces," backed only by acoustic guitar and the diva's gorgeous voice.

This intimate moment was followed by "Mas Que Nada" — the whimsical 1963 tune by Jorge Ben that turned Sérgio Mendes and his band Brasil '66 into one of the architects of the bossa nova movement. Mendes passed away in September of this year, and the luminous interpretation by Anitta and Iorc served as the most elegant tribute possible.

Read More: Watch: Anitta & Tiago Iorc Team Up For "Mil Veces" & A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs

Visceral Rock n Roll Will Never Go Out Of Style

One of the most intense moments of the telecast lasted less than two minutes — but will stay in the mind of anyone who ever prophesied the death of rock.

Hailing from Monterrey, Mexico, The Warning — a trio made up by sisters Daniela, Alejandra and Paulina Villarreal Vélez — delivered a welcome jolt of rock 'n'roll with a ferocious version of their hit "Qué Más Quieres." The performance was a reminder of how much raucous fun a trio of guitar, bass, drums, and gutsy vocals can generate. And yes, Latin rock is in excellent health, thank you.

Read More: Watch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With "Qué Más Quieres"

At The End Of The Day, It's All About The Songs

As is often the case with Latin GRAMMY darling Jorge Drexler, the Uruguayan troubadour had some deep thoughts to share when he received the Song Of The Year honor for the exquisite "Derrumbe" — a non-album single he released in February of this year.

"This is madness," Drexler said after exchanging a hug with Juanes, who announced the winner. He pointed out that he hails from a very small country, and that "Derrumbe" itself was a sad and short song — una cancioncita, he called it.

He thanked the Latin Recording Academy for healing his chronic imposter syndrome and proving that a delicate, unassuming tune like his could win. Then again, that's one of the main missions of the Latin GRAMMYs: to acknowledge the power of a great song to inspire and transform.

The Latin music community is buzzing with excitement following a week of events leading up to the 25th Annual Latin GRAMMY Awards. Held at Miami's Kaseya Center on Nov. 14, the 2024 GRAMMYs showcased the best and the brightest in global Latin sounds.

In the lead-up to The Biggest Night In Latin Music, a series of festivities offered a rare glimpse into the heart of Latin music’s vibrant culture. Latin GRAMMY Week brought artists, producers, and fans together on star-studded red carpets and intimate industry events — each of which was electric with anticipation, celebration, and reflection. 

Read more: 2024 Latin GRAMMYs: See The Full Winners & Nominations List

Continue celebrating 25 years of Latin Music excellence with a glimpse behind the scenes at some of the unforgettable moments that have made this week in Miami one to remember. 

Leading Ladies Got Their Flowers

One of the first events of Latin GRAMMY week was the 8th edition of the Leading Ladies in Entertainment, a heartfelt celebration of women who have made significant contributions to the arts and entertainment world.

The event was hosted by Latin GRAMMY-nominated artist Becky G (who also performed at the 2024 Latin GRAMMYs) and was held inside inside the Loews Hotel. Portraits of honorees Ana Rosa Santiago, Vivir Quintana, Julieta Venegas and Diana Rodríguez were displayed on elegant arches draped in peach and gold. A warmth and intensity buzzed throughout the room, which was amplified by Becky G's encouragement. 

Each honoree's speech reflected the event's theme of elevating women and inspiring the next generation of female leaders. Quintana's powerful speech shared sage wisdom with aspiring music professionals in the room. “You absolutely do not have to change anything about yourself. Just work on your talent, be who you are, and follow your inner compass always,” she told the crowd, sparking a standing ovation. 

In a sweet touch to the already outstanding celebration, attendees were invited to create personalized bouquets. The gesture left honorees and guests alike feeling empowered and appreciated, with the evening both symbolically and quite literally giving everyone their flowers for their contributions to Latin music and culture.

Nominees "Swam" With The Big Fish

The Latin GRAMMY Awards do more than recognize artistic excellence — they invite nominees into a circle of industry peers who celebrate each other's achievements. At the Latin GRAMMY Nominee Reception, this vibrant community bonded over a deep appreciation for the artistry, dedication, and hard work it takes to earn this peer-voted honor.

The crowd at the Frost Science Museum’s Ocean Gallery was a mix of first-time Latin GRAMMY nominees such as Latin Mafia and Carlos Rivera, international stars such as Alok, and recently-announced nominees for the 2025 GRAMMYs.  Producers and collaborators who work with J Noa, Peso Pluma, Residente, Anitta and Kali Uchis were also in attendance. Guests represented a range of genres and disciplines: violinists, songwriters, DJs, salsa musicians, and even the singing clowns of Payasitas Nifu Nifa, who make children’s music, mingled energetically. 

Nominees proudly donned their medallions, capturing this pivotal career moment on the red carpet and posing in front of a giant, golden GRAMMY. The reception featured a stunning aquarium view, and guests could watch the fish, sharks, and stingrays swimming peacefully above them and snapped more photos. The aquarium was a fitting scene: this year’s class of nominees certainly got here by making waves in the music industry.

The Future Sounded Bright As Rising Stars Hit The Stage 

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Held at Miami Beach’s Faena Forum and presented by Mastercard and Bank of America, the third annual Best New Artist Showcase brought an exciting spotlight to the future of Latin music. Over a performance-filled day, each of the seven Best New Artist nominees brought their unique flavor to the stage.

From Nicolle Horbath’s fresh popteño style to 13-year-old Kevin Aguilar’s heartfelt mariachi and corridos, every performance showcased a captivating fusion of genres. The crowd was especially energized when the three-piece girl group DARUMAS delivered an electrifying rock cover of Whitney Houston’s "I Wanna Dance with Somebody," getting everyone on their feet.

Other standout performances included Agris, Cacá Magalhães, Os Garotins, Íñigo Quintero, Sofi Saar, and Ela Taubert. Ultimately, it was Ela Taubert who took home the Latin GRAMMY on Thursday night, and she closed out the week with an emotional performance of her hit "¿Cómo Pasó?" alongside Joe Jonas at the 2024 Latin GRAMMYs. 

This showcase not only highlighted the diverse talent shaping the future of Latin music but also gave attendees an unforgettable opportunity to experience the next generation of superstars up close.

Carlos Vives' Life & Influence Was Fêted

The annual Latin GRAMMY Person Of The Year Year celebration honored Colombian artist and philanthropist Carlos Vives. The annual event drew a crowd of about 2,000 attendees to the Miami Beach Convention Center, including legends in Latin music and the next generation of stars.

Guests arrived in ornate attire, enjoying drinks and capturing memories with the Glambot’s interactive photo experience. Among the star-studded crowd were Camilo, Grupo Frontera, Rico Love, Aymee Nuviola, AleMor, and many more. The mayor of Miami also took the stage to offer a few heartfelt words of appreciation for Vives’ contributions. 

Read more: Carlos Vives, The 2024 Latin Recording Academy Person Of The Year, On The Colombia Music & Culture That Made Him

The evening culminated in a historic moment when six previous Latin GRAMMY Person Of The Year honorees gathered to pay tribute to Vives, a powerful salute to his legacy and impact on the Latin music community. Onstage at the 2024 Latin GRAMMYs, Carlos Vives was saluted by 2023 MusiCares Person Of The Year Jon Bon Jovi.

Somos Familia

In collaboration with the Recording Academy’s Florida Chapter,BMI and Rebeleon Entertainment, Latin music producers and artists gathered to celebrate in true Miami fashion — with a party. 

At the Los Producers event, attendees filled the venue’s balconies for the best views, while Latin GRAMMY nominees such as Cimafunk, Agris, Latin Mafia, and Trooko were spotted among the crowd. Guests danced and mingled to a mix of '80s classics and rock, all delivered in a Spanglish blend that had the crowd singing along. But the night truly came alive during a series of energetic performances from the likes of five-time Latin GRAMMY winner Luis Fonsi, The Warning, and Bruses.

Prior to taking the stage, Fonsi and his bandmates shared a sweet moment. The group sang "Happy Birthday" and brought out a cake for their guitarist, exemplifying the tight-knit family bond that defines the Latin music community. 

GRAMMY U Gained On The Ground Experience 

Throughout the week, over 75 GRAMMY U members volunteered on the talent team escorting artists such as Gloria Estefan and DARUMAS.

Florida Chapter Member Amy Torres shared her experience: "My dream has always been to work in the Latin music industry so this is a dream come true. This week, I’ve seen a lot of artists I’ve admired growing up and made connections both within GRAMMY U and outside of the organization." 

Patience Murray, a non-student GRAMMY U Member and singer/songwriter based in Florida, described GRAMMY Week as a "mind-blowing experience." "Being able to witness a music event of this caliber and magnitude felt like a once-in-a-lifetime manifestation exercise, and I'm grateful to have seen the stages I dream to one day perform on," she said, adding that her favorite part of the week was connecting with other GRAMMY U members. 

"I have gained so much respect for the talent teams who work tirelessly behind the scenes to ensure that every show looks effortless and enjoyable for the fans," Murray added.

2024 Latin GRAMMY Week was the definitive celebration of music's power to connect and inspire. As Latin music cements its place on the global stage, it’s clear that these artists are not only shaping the future of the industry but also fostering a greater sense of shared identity that transcends borders. 

The 2024 Latin GRAMMYs marked 25 years of Latin music excellence with a gala evening in Miami, one of the world capitals for the Latin music industry. Replete with dazzling performances from legends and rising acts, tributes and tearful acceptance speeches, the 25th Annual Latin GRAMMYs was certainly one for the books.

In an evening with many leading lights, onelegend stood out as the night’s star: singer, songwriter and musician Juan Luis Guerra.

Guerra already had two dozen Latin GRAMMYs on his CV — as well as three GRAMMYs — but his run at this year’s Latin GRAMMYs netted several new pieces of hardware. His honors included the award Album Of The Year for Radio Güira, the inventive 2023 concept EP released with his band 4.40, and Record Of The Year for "Mambo 23," a hyper-speed merengue epic from the EP. Radio Güira also took the prize for Best Merengue/Bachata Album, while "Mambo 23" also won for Best Tropical Song.

These were Guerra's first wins in a major category since 2015, when he won Album Of The Year for Todo Tiene Su Hora at the 16th Annual Latin GRAMMY awards. Guerra has won Album Of The Year as an artist in 2007, 2010 and 2014, and in 2012 he won for his production work on Juanes' MTV Unplugged album. 

Despite his familiarity with the Latin GRAMMYs stage, Guerra appeared emotional when he walked up to the stage for the last time to accept the award for Album Of The Year from Carlos Vives. Holding his Latin GRAMMY, Guerra praised God and credited Jesus with inspiring the album.

Earlier in the night, Guerra delighted the crowd at Miami’s Kaseya Center with a performance of "Mambo 23," featuring the full band. Dressed in his iconic newsboy cap and neckerchief, he launched into the dance floor burner on a stage illuminated in flashing neon. Boiler Suit-clad dancers completed a scene that was somehow both unassuming and spectacular.

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Guerra has had a four-decade long career of innovating in Caribbean music, while bringing genres such bachata to international fame. Radio Güira continues the theme of boundary pushing. It has been praised for its experiments in combining old and new genres, from merengue to reggaeton, with dashes of jazz and blues. 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.

The legacy of Luis Fonsi's career practically goes hand-in-hand with the history of the Latin GRAMMY Awards. Fresh off his win for Best Pop Vocal Album at the 2024 Latin GRAMMYs, the Puerto Rican pop icon performed a medley of his greatest hits.

The career-spanning performance began with his beloved 2008 ballad, "No Me Doy Por Vencido." In a sparkling orange suit, Fonsi belted his heart out to the song that's become an anthem of hope. 

Dancers then joined him onstage for a sultry performance of his 2017 global smash, "Despacito," which had the whole audience — including Marc Anthony and his wife Nadia Ferreira — dancing along. Fonsi then closed out his live medley with the upbeat "Santa Marta" from his latest album, El Viaje; he danced into the audience where this year's Person Of The Year honoree, Carlos Vives, sang along with him.

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The ambitious El Viaje, which was recorded in several different countries around the world, earned Fonsi a Latin GRAMMY win for Best Pop Vocal Album. It marks his 11th Latin GRAMMY nomination to date; he has won six Latin GRAMMYs, four of those thanks to "Despacito," which won Record Of The Year and Song Of The Year in 2017.

"What I'm most proud of is just that — it's a song that represents my heritage, my language, and the love of my island, Puerto Rico," Fonsi told GRAMMY.com about "Despacito" back in 2022. "It has that swag, that thing, that sabor that we carry in our blood. It's a celebration of all of that."

Just after the 2024 Latin GRAMMYs, Fonsi will add an exciting first to his resume: his film debut. The singer will star in the rom-com Say A Little Prayer, which opens in theaters on Nov. 22. 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.