Burna Boy, Luke Combs and Travis Scott have been added to the performer lineup for the 2024 GRAMMYs. Unveiled earlier today on CBS, these newly announced performing artists join previously announced 2024 GRAMMYs performers Billie Eilish, Dua Lipa and Olivia Rodrigo. Additional performers will be announced in the coming days and weeks. See the full list of performers and host at the 2024 GRAMMYs to date. 

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, will broadcast live from Crypto.com Arena in Los Angeles on Sunday, Feb. 4, at 8 p.m. ET/5 p.m. PT on the CBS Television Network and will be available to stream live and on demand on Paramount+.^ Prior to the Telecast, the GRAMMY Awards Premiere Ceremony will broadcast live from the Peacock Theater at 12:30 p.m. PT/3:30 p.m. ET and will be streamed live on live.GRAMMY.com. On GRAMMY Sunday, fans can access exclusive behind-the-scenes GRAMMY Awards content, including performances, acceptance speeches, interviews from the GRAMMY Live red-carpet special, and more via the Recording Academy's digital experience on live.GRAMMY.com. 

Two-time GRAMMY-nominated comedian, actor, author, podcast host, and former "The Daily Show" host Trevor Noah returns to host the 2024 GRAMMYs, marking his fourth consecutive year as host of Music's Biggest Night; Noah is currently nominated at the 2024 GRAMMYs in the Best Comedy Album Category for this 2022 Netflix comedy special, I Wish You Would.

Learn more about Burna Boy, Luke Combs and Travis Scott and their current GRAMMY nominations below.

Learn More: How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations Announcement, Air Date, Red Carpet, Streaming Channel & More

GRAMMY Award winner Burna Boy is nominated for four GRAMMY Awards this year including Best Global Music Album (I Told Them...), the inaugural Best African Music Performance ("City Boys"), Best Global Music Performance ("Alone"), and Best Melodic Rap Performance ("Sittin' On Top Of The World").

Learn More: Here Are The Nominees For Best African Music Performance At The 2024 GRAMMYs

Past and current GRAMMY Award nominee Luke Combs is up for one this year for Best Country Solo Performance for his cover of Tracy Chapman's iconic, GRAMMY-winning song "Fast Car."

Read More: 6 Artists Influenced By Tracy Chapman: Luke Combs, Brandi Carlile, Tori Amos & More

Past and current GRAMMY Award nominee Travis Scott is nominated this year for Best Rap Album (Utopia).

Read More: 5 Takeaways From Travis Scott's New Album UTOPIA

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The 66th GRAMMY Awards are produced by Fulwell 73 Productions for the Recording Academy for the fourth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers. 

^Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand in the United States. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs in the U.S. only.

2024 GRAMMYs Ticket Giveaway: Enter For A Chance To Attend The 66th GRAMMY Awards In Los Angeles

Earlier this year, the Recording Academy made history by awarding their first-ever GRAMMY Award for Best African Music Performance. Never before had the continent’s vibrant musical culture been given a category all their own, and the best and brightest from the African music industry stepped up to receive nominations. 

The eventual victor was 22-year-old South African singer Tyla, whose bewitching song "Water" earned the hearts of GRAMMYs voters, as well as millions of listeners that boosted the song to the Billboard Hot 100. She became the first South African in 55 years to make the chart.

Read more: 10 African GRAMMY Winners Through The Years: From Miriam Makeba To Angélique Kidjo & Burna Boy

This year, Tyla will not defend her prize. But five fantastic songs from a multitude of artists, including one high-profile American that has joined up with two Afrobeats stars, will compete for the Golden Gramophone. Check out the nominees below and read the full 2025 GRAMMYs nominations list ahead of Music's Biggest Night on Sunday, Feb. 2, 2025.

One of African pop music’ biggest stars, Yemi Alade would be a legend even without a GRAMMY nod. She first rose to fame a decade ago thanks to continental hits like "Johnny" and "Oh My Gosh" with Rick Ross. In July, she took her sound to new heights on Rebel Queen, an album incorporating genres such as highlife and dancehall for a global celebration of Black music that solidifies her reputation as "Mama Africa." 

"Tomorrow," the GRAMMY-nominated song from the album, is a triumphant, bright amapiano tune, the latest result of Alade’s flirtation with the genre. Produced by Yasso and incorporating choral vocals, the lyrics in English and Nigerian Pidgin assert the singer’s unflappable confidence and self-belief. "I dance away my sorrow," she sings, "Rain or shine, I’ll be shining like a diamond." 

"Tomorrow" marks the legendary artist’s first-ever GRAMMY nomination, but whether or not she grabs the golden gramophone, it’s clear from her song that nothing will phase this Rebel Queen. 

Burna Boy is such an undisputed force in African music, it’s not surprising for him to be nominated in this Category two years in a row. Already a GRAMMY winner for Best Global Music Album (Twice As Tall took the prize in 2021), his bold, American R&B-inspired "City Boys" earned a Best African Music Performance nod last year and was among a medley of tracks Burna performed on the GRAMMY stage. The braggadocious hip-hop song ultimately fell to Tyla’s "Water," however. 

The success of his 2023 album I Told Them may have put Burna Boy in a more contemplative state of mind, because "Higher," his current nominated track, is a much more conscious effort. Over a mellow, amapiano-inspired beat from producer Yo Dibs, Burna reflects on his limited time on Earth and the harshness of daily life: "You know say streets don't love you rara / It's full of snakes and spiders / Make a wrong move, lose your life / Make it hard for your mother to sleep at night." 

The song’s video, conceptually similar to Drake’s visual for "God’s Plan," shows the singer making an emotional visit to his hometown of Port Harcourt and distributing aid with his charity group Project PROTECT. It seems that magnanimity has already been rewarded: The song gained 1.3 million streams on Spotify in its first day of release, a new record for an African artist, and its video has been viewed over 7.3 million times as of this writing. 

It can’t be denied that Chris Brown is something of a survivor in the music industry. The GRAMMY winner for Best R&B Album (F.A.M.E.) is as famous for his hits — from "Run It!" and "Kiss Kiss," to "Look at Me Now" and "No Guidance" — as he is infamous for his checkered past. 

Now he’s back in the GRAMMY spotlight with a single from his 2023 album 11:11. "Sensational" marks a bold stylistic pivot for the R&B singer as he adopts Afrobeats for a slick song that could be called, well, "breezy." Adding some African bona-fides, he’s recruited Davido — one of the genre’s most important acts and a GRAMMY nominee last year in this Category — as well as rising artist Lojay, for feature verses. The result is a transatlantic collab that makes the case that Americans can take on African genres too, with a little help from their continental friends. 

In just a few short years, Asake has established himself as one of the most creative and charismatic new talents in Afrobeats. His 2023 record Work of Art blended the globally-aspirational Nigerian pop sound with South African house offshoot amapiano and the indigenous Yoruba genre fújì; Asake earned a GRAMMY nod in this category for album single "Amapiano" last year. 

Asake isn’t one to rest on his laurels, however. He dropped another record, Lungu Boy, earlier in 2024, for which he switched up his sound further and recruited global stars like Stormzy, Central Cee, and Travis Scott. Single "MMS" keeps things refreshingly local in terms of guest spots, recruiting GRAMMY-winner Wizkid for the feature. Incorporating the same Yoruba-language choral vocals Asake used throughout his last album, he trades verses with Wiz over a glamorous, jazz-inflected, ‘90s R&B-inspired beat by P.Priime. The lyrics, in English, Yoruba, and Nigerian Pidgin, narrate Asake’s journey to finding his signature sound and letting fate determine his path. It’s a classy, reflective song from a pair of Africa’s biggest stars.

Tems — "Love Me JeJe"

Tems is already a GRAMMY winner and the first African artist to top the Billboard Hot 100, all thanks Future sampling her song "Higher" on his hit "Wait For U." Yet 2024 was the year in which the Nigerian artist stepped into her own spotlight, finally releasing her debut album Born in the Wild. Its single "Love Me JeJe" hit No. 1 on the UK Afrobeats charts and No. 3 on Billboard’s U.S. Afrobeats Songs. 

Interpolating an identically-titled 1997 hit from Seyi Sodimu that’s regarded as an African pop classic, "Love Me JeJe" is an Afrobeats tune as tender as the Pidgin phrase that makes up its title. Tems’ smooth, heartfelt vocals float over the track as she sings of her desire for unconditional, supportive love: "I need your lovin’, so fresh, so clean / Love me in and out, unfailingly / And I’ll be down now, anytime you call me." 

Debuting the song during her set at Coachella 2024, it could be argued that "Love Me JeJe" was meant to provide American audiences with a bridge to African music, from its past icons to its present talents. With her GRAMMY nod for the song, it seems that Tems has done just that.

Between album anniversaries, surprise announcements and exciting new tracks, this week's New Music Friday (Aug. 23) is a full-blown celebration of tunes past and present.

On the album front, high-profile new releases include Sabrina Carpenter's Short n' Sweet, Thomas Rhett's About a Woman, Lainey Wilson's Whirlwind and All Time Low's The Forever Sessions Vol. 1. Plus, Warren Zeiders serves up his sophomore album, Relapse, and Randy Rogers Band celebrate the 20th anniversary of their 2004 LP Rollercoaster with a remastered re-release.

Meanwhile, Travis Scott and Ariana Grande each commemorate major anniversaries by dusting off vault tracks from some of their earliest works, blink-182 tease the second part of their latest album, Jessie Reyez links up with Lil Wayne and more.

Below, dive into some of this week's most exciting new releases, including samplings of electronic, rap and country.

Travis Scott — 'Days Before Rodeo' (Tenth Anniversary Edition)

Released on August 18, 2014, Days Before Rodeo served as the buzzy prequel for Travis Scott's debut album, Rodeo, which would arrive the following year and officially crown the Houston MC as one of rap's fastest-rising stars.

A full decade later, Scott is revisiting Days Before Rodeo for a new 10th anniversary edition complete with — as the rapper revealed when announcing the release earlier this week —"COUPLE DBR SONGS FROM THAT ERA FROM THE VAULT." If the all-caps pronouncement didn't give away Scott's palpable excitement at revisiting his seminal mixtape, he added a string of giddy gibberish followed by "IM FCKING JUMPING THRU WALLS AHHHH" for good measure. 

The number of tracks Scott tacked onto the end of his 2014 mixtape — which is now available for the very first time on all streaming platforms, in its original form — actually ended up being more than just a couple, including "Mo City Flexologist," "Too Many Chances," Young Thug's "Yea Yeah" featuring Scott as a guest artist, "Serenade" and "Whole Lots Changed" featuring Yung Mazi. (As of press time, it appears the Days Before Rodeo deluxe edition is only available for purchase via Scott's official website.)

Ariana Grande — 'My Everything (Tenth Anniversary Edition)'

Also celebrating a seminal 10th anniversary, Ariana Grande honored her sophomore album, My Everything, on Aug. 22 — the exact day it was released in 2014. The fan-favorite LP catapulted Grande from promising young starlet to bonafide pop sensation, so it was only right that she celebrated it with a 10th anniversary edition.

Along with smash hits like "Break Free," "Bang Bang" and "Problem" and OG bonus cuts "Only 1" and "You Don't Know Me," Ari reached into her vault to finally gift fans with the official studio versions of "Cadillac Song" and "Too Close."

Co-written by Victoria Monét, the former finds the soon-to-be Wicked star caught up in a breezy, doo-wop-inflected daydream as she hits the road in her titular Caddy over a sample of the 1972 deep cut "How Love Hurts" by R&B family act the Sylvers. The latter, meanwhile, revisits the early magic a young Ari captured with producer Harmony Samuels as she teases, "Baby, tell me, do you feel it like I do?/ 'Cause we both know what could go down/ If we get too close" over a bouncing, elastic beat.

We're still more than a full lunar cycle away from the release of Coldplay's Moon Music, but that didn't keep Chris Martin and co. from sharing a second taste of their forthcoming 10th album in the form of "WE PRAY."

The British rockers first debuted the single live during their headlining set at Glastonbury 2024 this summer, and the official studio version features guest turns by Lil Simz, Burna Boy, Elyanna and TINI. The special 12" vinyl and EcoCD formats — also out now — include five different versions of the song, including the live debut recorded from the Pyramid Stage at Worthy Farm.

Months after dropping her single "SHUT UP" featuring Big Sean, Jessie Reyez is back with "RIDIN," another high-profile collab — this time with Lil Wayne.

The mid-tempo jam is equal parts romantic and eyebrow-raising as the Canadian songstress warbles, "Hold me/ Since love always hurt me baby/ I'mma need you to choke me/ Since love always let me jump/ I'mma need you to hold me/ Let me deep inside" on the chorus.

Reyez then cedes the floor to Weezy, who gets the entire second verse to deliver a sexually charged stanza that officially adds "legs like a Twizzler" and "drive me like a Nissan" to the Kama Sutra of modern come-ons.

On Aug. 19, blink-182 surprised fans with the news that they were doubling down on their 2023 album ONE MORE TIME… — their first in nearly a decade to feature OG member Tom DeLonge — by adding eight more songs to the track list.

While the rest of ONE MORE TIME… Part 2 drops Sept. 6, the first two songs of the new batch are "ALL IN MY HEAD," a galloping banger that sees the pop-punk trailblazers questioning existence, touring and the relentless march of time, and "NO FUN," a slice of end-of-summer punk rock that blends equal doses of nostalgia and paranoia.

Mura Masa may already have three full-lengths under his belt, but the British producer's new album, Curve 1, marks his first studio set on his own Pond Recordings imprint as a fully independent artist.

Led by previously released singles like "Whenever I Want" and "Drugs" featuring Daniela Lalita, Curve 1 also features the GRAMMY winner collaborating with the likes of Singaporean synth-pop artist Yeule on "We Are Making Out" and 2000s R&B girl group Cherish, whose 2007 single "Killa" is sampled prominently on highlight "Fly."

Offering up a second taste of her forthcoming mixtape Alligator Bites Never Heal, Doechii attacks the mic with her trademark combination of ferocity and humor on "Boom Bap," a blistering freestyle that follows the deliciously braggadocious "Nissan Altima."

Also arriving in the wake of "Alter Ego," Doechii's recent collab with JT of City Girls, the Swamp Princess looks back at her journey to becoming one of hip-hop's most inventive wordsmiths on "Boom Bap" as she spits, "I gave my soul to this s—, ate lumps of coal for this s—/ Went on the road for this s—, played humble for this s—" in between name-checking the likes of J.Cole and producer Camper and blowing raspberries in the direction of her haters.

As Nate Smith sits atop Billboard's Country Airplay chart with "Bulletproof," he reaches for the rafters on his anthemic new single "Fix What You Didn't Break." A fitting follow-up to the recent duet version of "Bulletproof" with Avril Lavigne, the country upstart looked to the sounds that defined the early millennium for his latest release.

"I've always been a huge fan of big, epic pop rock songs of the 2000s — bands like Lifehouse, Goo Goo Dolls, 3 Doors Down were all influences in my early teens," Smith tells GRAMMY.com, describing his new single as "the perfect blend of 2000s rock and heartfelt country…This is easily one of my favorites I've released."

"Fix What You Didn’t Break" will be one of 16 tracks on Smith's forthcoming sophomore album, California Gold, which will be released Oct. 4.

To say that the past year has been an eventful one in the dynamic world of Afrobeats would be, at best, a gross understatement. The genre's list of global accolades has continued to swell in size, including multiple nominations at the 2024 GRAMMY Awards, expansive cross-border collaborations, and inaugural appearances on some of the world’s most coveted stages.

Simultaneously, Afrobeats has been undergoing something of an identity crisis, in which listeners have criticized sonic monotony and Western pandering of some artists. In the immediate wake of this criticism, as though on cue, came a slew of forward-thinking projects from the genre’s biggest stars, igniting the mainstream scene’s creative progression. Among these stars is 23-year-old Afrobeats sensation Anthony Ebuka Victor, known widely as Victony.

His debut album, Stubborn, is barely two months old yet has already received high acclaim from top Afrobeats pundits and laymen alike. Therein, Victony tells his life story for the first time, complete with vivid songwriting that delves into themes of childhood, romance, and dogged resilience. With features from Nigeria’s Asake and Shallipopi, as well as American acts Teezo Touchdown and Saint JHN, Stubborn's sonic meter explores Afrobeats with unending - and unmatched - innovation.

Victony, however, is no novice when it comes to putting out pristine bodies of work. His 2020 EP Saturn sounded nothing like a 19-year-old’s debut; singles “Jo Riddim” and “Space and Time” revealed serious sonic maturity. His subsequent EP Outlaw, which followed his breakout as the feature on Mayorkun’s “Holy Father,” included addictive hits “Apollo,” “Jolene,” and “Soweto.” The latter, of course, took the world by storm and led to a remix featuring Don Toliver and Rema, which peaked at No. 5 on the Billboard Afrobeats chart.

Between this, his debut on the ColorsxStudios platform, his assist on Burna Boy’s “Different Size,” and his record deal with the L.A.-based Encore Records, it is difficult to tell just when this young boy from Ojo, Lagos became a continental and global star. What’s more, he’s soon to push his story outside of Nigerian borders, kicking off his Stubborn North American tour on Aug. 6. 

Ahead of this tour, Victony sat down with GRAMMY.com to discuss his creative process, the importance of telling his story, and all things Stubborn.

'Stubborn' features excellent songwriting about your life experiences, though it's not the first time you've done so. What makes 'Stubborn' different from the other work in your discography?

Stubborn has my story; it’s where I get to properly introduce myself. The [Outlaw] EP is like Yeah, this guy can sing, he knows all this Afrobeats stuff. Let’s put a good body of work together for people to enjoy. The Stubborn album is saying, This is Victony. This is where he’s from. This is what he’s about.

You’ve mentioned before that veteran Nigerian rapper Olamide encouraged you to make 'Stubborn' a full-length album as opposed to an EP. Had you been ready for an era shift at the time that you spoke to him?

I was prepared for an era shift, but my mind was just stuck on an EP because that was the plan since last year. Sometimes, you can’t even see what everything looks like when you’re really in it. You have to extract yourself from the situation and really look at it. But speaking to Olamide, once he mentioned the album, it felt possible. I was like, Why am I not even thinking about an album? 

'Stubborn' is an incredible testament to resilience, but you also explore other themes like love and betrayal. What is the overarching message that you wanted the project to convey?

Resilience is the boldest statement that the project has. But within all that, there are other things that I’ve been through, like the stuff that you mentioned, that didn’t change me as a person.

I still have the ability to love, and I still have the ability to receive love. So obviously, that reflected in a few songs on the project because I still go through those emotions. I’m still human regardless of everything I've been through.

Your feature list is quite expansive — we have Shorae Moore, Shallipoppi, Saint JHN, Teezo Touchdown, and Asake. Did you have an idea of who you wanted on the project beforehand, or was your feature selection process more organic?

I’m always curious to see what this and this will sound like, or what doing this and this will look like. So I just make songs and think about who will be perfect on those songs. I didn’t think of it as, I want an album, who are the guest features? 

One thing that the features all have is authenticity. These people have a voice, they have a style, they have something that they stand for. And that is something that Stubborn is also preaching — authenticity. So collaborating with these people helped to bring very interesting ideas to life. Because one wouldn’t ordinarily imagine a Victony and Asake feature, or a Victony and Teezo feature. But when somebody who is authentic collaborates with somebody who is authentic, something has to happen. We were just trying to create something, and I love creating. 

Learn more: Meet The Latest Wave Of Rising Afrobeats Stars: AMAARAE, BNXN, Oladapo & More

You have a U.S. tour coming up which is extremely exciting. You’ve toured with Rema before, but this will be your first-ever solo tour. How are you feeling? 

I’m actually very excited. We’ve been planning what we want the tour to feel like, because it’s important to think about the feeling that you want to leave people with. I think that this tour is the biggest opportunity to showcase what the album is really about. Having to go on stage, perform for an hour plus. I don’t think I've ever done that nine times in a row in nine cities. So we’re planning everything to make that all come to life.

What do you want your U.S. audience to take away from your tour?

I want my U.S. audience to feel the essence of my journey and connect with my music. This tour is a journey through my experiences and my evolution as an artist. You'll get the party anthems as well as the soul-stirring ballads. I want them to leave each show thinking, This is what that Victony guy is about: raw talent, authenticity, and a sound that resonates deeply.

Give us your Afrobeats predictions for the year — what should we expect from the scene?

I just feel like it’s about to be a madhouse. Tems just dropped, Ayra Starr just dropped, Ruger & BNXN just dropped. And Wizkid is yet to drop, Davido is yet to drop, Fireboy DML is yet to drop. I don’t think we’ve had a year like this. Ever. It’s like everybody is dropping a project this year.

Read more: Tems On How 'Born In The Wild' Represents Her Story Of "Survival" & Embracing Every Part Of Herself

My prediction is that this is the start of something for Afrobeats. Before now, what people would tell you is that Afrobeats artists all share one fanbase. But everything is about to change because of the volume of music coming out. It’s going to really push structure with the fans.

Looking back from your debut EP to the present day, what comes to mind? Did you foresee yourself becoming what you are now?

I always knew that everything that’s currently happening would happen. I just didn’t know what was going to make it happen. I didn’t know that this was the direction. It’s been interesting because at one point, you just have life experiences that influence your art, and then the direction changes. That’s what it’s been for me because I like my art to reflect who I am at any given time.

So, who knows what’s going to happen next? After Saturn, I didn't foresee my story changing. And now new experiences have come, and those have also changed me. I don’t know what’s going to happen next, but one thing’s for sure, the journey is just beginning. I’m excited to see where this path leads and to continue sharing my story with the world.

It’s officially awards season! Today, the nominees for the 2024 Emmys dropped — and, happily, the 2024 GRAMMYs telecast received a whopping five nominations.

At the 2024 Emmys, the 2024 GRAMMYs telecast is currently nominated for Outstanding Variety Special (Live), Outstanding Production Design for a Variety Special, Outstanding Lighting Design/Lighting Direction for a Variety Special, Outstanding Sound Mixing for a Variety Series or Special, and Outstanding Technical Direction and Camerawork for a Special.

Across these categories, this puts Music’s Biggest Night in a friendly head-to-head with other prestigious awards shows and live variety specials, including the Super Bowl LVIII Halftime Show starring Usher as well as fellow awards shows the Oscars and the Tonys.

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2024 was a banner year for the GRAMMYs. Music heroes returned to the spotlight; across Categories, so many new stars were minted. New GRAMMY Categories received their inaugural winners: Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording. Culture-shaking performances and acceptance speeches went down. Those we lost received a loving farewell via the In Memoriam segment.

The 2025 GRAMMYs will take place Sunday, Feb. 2, live at Crypto.com Arena in Los Angeles and will broadcast live on the CBS Television Network and stream live and on demand on Paramount+. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024.

For more information about the 2025 GRAMMY Awards season, learn more about the annual GRAMMY Awards process, read our FAQ (Frequently Asked Questions) section, view the official GRAMMY Awards Rules and Guidelines, and visit the GRAMMY Award Update Center for a list of real-time changes to the GRAMMY Awards process.